You are so right about the difficulty of hands. A later chapter in my book discusses how triangulation solves that problem down the nth degree of fine art figurative realism. The problems you mentioned with faces is why it is so easy to go wrong, hence the tutorial on how an egg-shape for the head keeps the artist on track for creating great portraits.
You are so right about the difficulty of hands. A later chapter in my book discusses how triangulation solves that problem down the nth degree of fine art figurative realism. The problems you mentioned with faces is why it is so easy to go wrong, hence the tutorial on how an egg-shape for the head keeps the artist on track for creating great portraits.